New York Times, “Dolly Parton, Superstar Whose Songs Spoke to Millions, Dies at 80“

Dolly Parton, a rhinestone-studded, rags-to-riches daughter of Appalachia who for six decades ruled country music — and much of pop culture — with an outsize personality and down-home wit that enshrined her as one of America’s most cherished originals, died on Tuesday in Nashville. She was 80.

Her death was announced by her family. A spokesman said that she died after a brief battle with cancer and that she had been admitted to the Vanderbilt-Ingram Cancer Center in Nashville on Friday.

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From her hardscrabble beginnings to glittering stardom, Ms. Parton’s life was the stuff of make-believe. With her voluptuous figure, sparkly stage costumes and blond bouffant wigs, she was likened by the writer Chet Flippo to the Big Rock Candy Mountain, the Depression-era symbol of abundance. Her songs spoke to millions, confronting privation and loss even as they radiated possibility and hope.

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Ms. Parton cannily exploited — and transcended — rural stereotypes and kitsch to fashion a folksy chic entirely her own. (“A country girl’s idea of glam,” she called it in the song “Backwoods Barbie.”) In the process, she became an international celebrity who headlined stadium tours, starred in Hollywood movies, built a business empire and appeared on the cover of Rolling Stone. Her at times girlish soprano notwithstanding, she was anything but the “dumb blonde” invoked in the title of her 1966 single.

“I’ve created this and played it up — the makeup, the whole persona,” Ms. Parton said, alluding to her plastic surgeries as well as her colloquial “Dollyisms” in a 2002 interview with The Times.

“But this isn’t all I am,” she added. “It’s not even most of what I am. Hopefully people can see beneath the hair to know there’s a brain, beneath the boobs to know there’s a heart and behind all the other stuff to know there’s some talent.”

Inducted into both the country music and rock ’n’ roll halls of fame, Ms. Parton was the top-ranking female singer on country radio from 1967 to 1993, and had a total of 25 No. 1 country singles.

Her early breakthrough came in 1967 when she was hired as the “girl singer” on “The Porter Wagoner Show,” a syndicated country music television variety program. Several years later, she had No. 1 country hits with records like “Jolene” and “I Will Always Love You.”

Both songs were among about 3,000 titles she published in her lifetime, hundreds of which have been recorded by other artists, including Tina Turner, Norah Jones, the White Stripes, Merle Haggard, RuPaul and Whitney Houston.

Featured in the 1992 movie “The Bodyguard,” Ms. Houston’s version of “I Will Always Love You” spent 14 weeks at the top of the pop chart. The song had previously been a No. 1 country single twice, in versions released by Ms. Parton in 1974 and 1982.

Associated Press, “Dolly Parton, music star, actor and beloved figure who spanned generations, dies at 80 of cancer“

Dolly Parton, the country music icon whose soaring vibrato vocals, poignant songwriting and sparkling costumes defined her rise from a log cabin in the Tennessee mountains to the height of stardom and acclaim, has died in Nashville. She was 80 years old.

“After bravely facing a brief battle with cancer, Dolly departed her Earthly life today at the Vanderbilt-Ingram Cancer Center surrounded by loved ones,” her publicist, Marcel Pariseau, said in a statement Tuesday.

Known for her curvy physique, massive blond wigs and skin-tight outfits that served her self-deprecating wit, she was among the most beloved personalities in music and beyond — the rare celebrity whose appeal transcended generations, geography and politics.

She wrote hundreds of songs, including classics like “Jolene,” “Coat of Many Colors” and “I Will Always Love You,” that totaled more than 100 million worldwide sales and more than 1 billion online streams. Parton, who plucked bejeweled banjos, guitar and dulcimers with her long fingernails during performances, was a generous philanthropist and successful businesswoman whose projects included a theme park in the Smoky Mountain foothills near her birthplace.

Her career was forever influenced by her upbringing as one of 12 children born into what she called a “dirt poor” Tennessee family. She started her education nonprofit, Imagination Library, to send free books to children in Tennessee because her father, who quit school to work on the farm, struggled to learn to read.

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Parton’s partnership with Porter Wagoner, a pencil-thin pompadoured star with flashy rhinestone outfits, was key to her career. She honed her acting skills on his syndicated TV show and he advocated for her to get a record deal at RCA. Their first duet, “The Last Thing On My Mind,” was released in 1967, the same year she started her own publishing company.

While their duets were often big radio hits, Parton’s solo singles didn’t chart as high at first. With Wagoner as a co-producer, she began to adjust her country warble to a more polished, pop-leaning style.

She got her first No. 1 solo single with “Joshua,” and reached the Top 5 with the ballad “Coat of Many Colors,” about how her mother sewed together scraps of clothes to make a coat Parton wore “so proudly” even as her peers mocked her for being poor. The song, with its Biblical references and ode to maternal love, was later made into a children’s book and a TV movie.

In 1973, she had the hit that made her career — “Jolene,” a country music standard with its steady, churning rhythm and Parton’s repeated delivery of the title as she pleads for the woman not to steal her man.

The song topped the country charts, crossing over to pop and later being released internationally, opening up new audiences for Parton. “Jolene” is one of her most covered compositions, including by Miley Cyrus (Parton’s goddaughter), Olivia Newton-John and The White Stripes.

She left Wagoner’s show in 1974, amid reports of squabbling between the two, although they continued to record together and Wagoner stayed her producer for years after that. But the relationship turned litigious when Wagoner sued her in 1979 for millions in management fees and royalties.

She followed “Jolene” with a huge hit in 1974, “I Will Always Love You,” an ode and farewell to Wagoner that helped her win the Country Music Association’s female vocalist of the year back-to-back in 1975 and 1976. She famously turned down Elvis Presley, who wanted to record it, because she would not share publishing rights.

Decades later, Whitney Houston’s version of “I Will Always Love You” became a smash for the soundtrack of her 1992 film “The Bodyguard,” and broke sales records. Houston won a Grammy for her performance in 1994, presented to her by Parton.

“Here You Come Again,” a pop crossover hit and one of the few she didn’t write, further established Parton as a multi-genre entertainer and brought her first Grammy Award in 1979.

“A lot of people thought I had totally lost my mind,” she told The Associated Press in 1979 of changing her singing style. “But I had no fear of change. I expected success, but I was braced for failure. I didn’t care if people thought I was wrong. In my own heart, I knew I was doing the right thing.”

Parton’s other crossover hits included the title song from “9 to 5,” the 1980 comedy starring Parton, Jane Fonda and Lily Tomlin; and her duet with longtime friend Kenny Rogers, “Islands in the Stream,” written by brothers Barry, Maurice and Robin Gibb of the Bee Gees. In 1987, she collaborated with Linda Ronstadt and Emmylou Harris on the million-selling “Trio” album.

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In her first major film role, Parton played alongside Fonda and Tomlin as office workers who rebel against their tyrannical boss in “9 to 5.” Critic Roger Ebert called her a “natural-born movie star” and the title song earned her two Grammy Awards and a ranking of 78 on the American Film Institute’s list of top 100 movie songs. Starring roles in “The Best Little Whorehouse In Texas” and “Steel Magnolias” followed.

“I never thought of myself as a movie star,” she told AP’s Bob Thomas in 1979. “I knew I’d be a star, but as a singer or as a writer of songs or books or poetry. I wanted to be a famous performer and wear flashy clothes, but singing in movies was not one of my ambitions. My family lived in the mountains and we didn’t see movies.”

Her love affair with TV and film continued for decades, with appearances alongside Cyrus on “Hannah Montana” and adaptations of her music for Christmas specials, films and streaming series. She also became an author, her books ranging from the memoir “Dolly” to a bestselling novel co-authored by James Patterson, “Run, Rose, Run.”

The stage adaptation “9 to 5: The Musical” debuted in 2009, and “DOLLY: A True Original Musical” is set to open Jan. 19, 2027, on what would have been her 81st birthday.

Parton came to national prominence on The Porter Wagoner Show shortly before my second birthday. While I don’t have strong memories of her on the show, I know that my family watched regularly. And I certainly remember listening to her early hits, including “Coat of Many Colors” (1971) and “Jolene” (1973), on KIKK radio in Houston as she emerged as a superstar in her own right.

I literally have no memories of a world where she wasn’t a star. She was a constant feature on the talk shows, notably Johnny Carson’s Tonight Show. There were, in retrospect, way too many jokes about the size of her breasts.

As noted in the obits above, she transcended country music, starring in quite a few movies and having multiple crossover hits, most notably “Islands in the Stream” and “9-to-5.” While nobody, herself included, thought of her as a rock and roll singer, she was a rock star in the colloquial sense. And, given the breadth of those who have been inducted, enshrining her in the Rock and Roll Hall of Fame was appropriate.

There are only a handful of country artists who are even in the same conversation as her as singer-songwriters. Offhand, Hank Williams Sr., Willie Nelson, Merle Haggard, Johnny Cash, and Loretta Lynn come to mind. Of those, only Nelson and Cash had anything like her success out of the genre. Nelson made quite a few movies. Cash had a popular television variety show, several television acting roles, and a second act as a crossover artist toward the end of his life. But Parton did all of that, plus a long-running amusement park that employed thousands and all manner of philanthropic programs.

She’s given away millions of dollars over the years, to a wide variety of causes that touched her. Despite its founding way back in 1995, I didn’t know about her Imagination Library until my kids had aged out of eligibility. But it has sent over 300 million books to little kids—and is slated to continue operating as a legacy. She donated $1 million to Vanderbilt, helping fund the research that led to the Moderna COVID vaccine. For years, she invested some of the royalties she earned from Whitney’s version of “I Will Always Love You” in a Black community in Nashville.

She was truly one of a kind.